Did you ever know that you're my hero?

When I was a kid, I took Roseanne for granted. That show is a feminist gold mine!

Need proof?

Riot Roseanne:



Stickin' it to The Man:



Oh, and for fun...



Why aren't more shows like this these days?

And, can I just say Aunt Jackie tooootally reminds me of Reno 911's Deputy Trudy Wiegel. Is that crazy?:

Vibrations from the West- Tom Tom Mag

You'd think the words "drumming" and "splinters" wouldn't paint a pretty sentence (callouses happen -- and once I even got a splinter from a horribly beat-up pair of drumsticks!). But in the case of the awesome Bay Area band, the Splinters, and their equally awesome drummer Courtney Gray, it's aaaalll good.

Check out my interview with the hard-hitting lady here: Vibrations from the West.

Oh, and when you pick up the latest issue of my other favorite magazine in the world, BUST, turn to page 10: Tom Tom Mag got an awesome shout-out.

While you're in the consuming mood, pick up the Splinters' brand new 7-inch, "Splintered Bridges."

We played with them earlier this year in Sacramento, and it was super fun.

To convince you of their garagey riot-grrrly '60s poppy greatness, here's a fun video for a song that really IS cool:

Summer flashback meets shameless self-plug

Today it was hot. No -- it was hotter than hot. It was hell: over 100 degrees in Sacramento. So, where was I? At the American River swimming around, trying my best to stay cool. (We don't have central AC at our little Midtown home.)

Last summer was worse, though, temperature-wise. I lived in an upstairs apartment in Davis that could not be cool no matter how many pairs of sunglasses it owned. (Good joke, huh?) Though it was slummy, we still shared some good times in that tiny apartment.

I hadn't watched the music video Chris (my boyfriend/bandmate) and I made for "History" in a while. It pretty much captures what last summer was like trapped in Davis. Maybe this summer, Chris and I should make a new home video compilation for one of our newer songs.

If you haven't already seen it, here it is. The music video for our song "History" by us (Buildings Breeding). I think it accurately demonstrates our obsession with Ronald the Cat:

Oh, and speaking of "History," the song is on our new vinyl record (limited edition surf green vinyl!), "In the Key of Calloused Fingers," (see below) which you can purchase through our MySpace, or download (but not get the vinyl -- boo!) on iTunes.

Vibrations from the West

My second west coast installment for Tom Tom Magazine is up on the site. It's with Colleen Coffey of The Spires (pictured above w/ husband/bandmate Jason Bays). The Spires are from my hometown, Ventura, CA.

I like interviewing drummers who still feel "new" at the instrument, because it's something I can relate to, and it gives me a lot of inspiration. Colleen was super humble and nice. She's a lot like me in that her boyfriend kind of just insisted that she learn the drums.

The Spires just released a new LP called A Way of Seeing in May, and I really like it. Check out the music video for their song "TAM" that I posted with the article.

Click here, to read the interview for Tom Tom.

For fun, here's a music video for one of their older songs, which makes me miss Ventura like crazy, because its so pretty.

All hail the Fabulon Freaks: Geek Love, a book worth reading

I picked up Geek Love by Katherine Dunn thinking it was something along the lines of The Perks of Being a Wallflower, which I had never read but heard was good. I figured that it would be a fun read, maybe a light love story about two outcasts. I was wrong.

Dunn's geeks do not tape together their broken glasses or hide from large groups at social events. Instead, they soak up the spotlight on stage, taking pride in missing limbs and deformities as adoring fans quite literally worship them in cult-like ways. Geeks are carnival freaks, and Geek Love is a novel about the traveling Binewskis, a seriously dysfunctional carny family.

When Al Binewski realizes his family's good ol' fashioned traveling show is lacking a truly marvelous act, he decides to recruit his wife (trapeze artist and live chicken eater), Crystal Lil, to breed a family of freaks. Feeding her lots and lots of drugs and after several botched pregnancies, they create: Arturo the Aquaman (flippers for arms and legs), Iphy & Elly (twins joined at the waist), Olympia (bald albino dwarf hunchback) and Fortunato AKA Chick (a "norm" with dangerous powers.)

Olympia tells the story from her own perspective, which ends up being like a long, thrilling and often times nauseating (but in a good way?) carnival ride. The book is hilarious, disgusting and completely heart-breaking. In Dunn's world, freaks are beautiful and anyone else is ugly and base. With a completely foreign backdrop, Dunn showcases the ugliness of power and greed and has you second-guess you're own opinions of "normal."

Dunn's profound reflections on parental love, motive for procreation and family value are worth noting, especially considering the story is told by a child for most of the novel. Particularly, the reversal of maternal roles with children and their parents, or, more interestingly, the portrayal of youth/infanthood as not the age of innocence, but as the age of pure insight due to barbarism.

Here is my favorite "Wow" excerpt:

It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. ... How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. ... We need that warm adult stupidity. ... We make do with it rather than face alone the cavernous reaches of our skulls for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness. (105-106)

Katherine Dunn (pictured above) is a great writer and radio personality from Portland who is most famous for covering the boxing world as a journalist. She has contributed extensively to the outstanding Willamette Weekly. Check out Geek Love (1989), an oldie but goodie, if you can handle dark, thought-provoking, table-turning plot. After all, it was nominated for a National Book Award!

Three records to which I cry

Every so often, I get the blues on Sundays. Don't ask me why. Probably because the weekend is ending, probably because I am often alone in my room.

Here are the albums that I end up putting on. Because they are beautiful, perfect (only because they are imperfect) and utterly tragic:

1. Pink Moon- Nick Drake



And my favorite song off of the album, "Place to Be":



2. Sea Change- Beck



Cheesy/but also kinda cool video for "Lost Cause" off of the album:



3. Either/Or- Elliott Smith



"Between the Bars" is my favorite Elliott Smith song. Disclaimer: This video will make you cry:




What are your three favorite melancholy records?

Gotta Have-it Creatures of Habit

So, I recently joined a committee that is setting out to revitalize the Davis Second Friday ArtAbout. We (various Davis gallery staff-members & owners) are starting by straight-up getting more art all over the Davis downtown area (not just in galleries) -- in cafes, shops, restaurants and salons. I asked a lot of my artist friends if I could put them on our list of interested participants, and we've already gotten them some shows in downtown businesses.

I am most excited about former Aggie co-worker, Rosa Chou, who will be showing her series of watercolor illustrations "Creatures of Habit" at Barista Brew on G Street. I am so proud of Rosa, because this is one of her first solo shows.

I am SO purchasing one of her adorable pieces: